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Gordon Moore in Conversation: DIMENSIONALITY
My own personal, most dominate, influence as an American painter from the beginning has always been de Kooning and to this day I don’t think I have ever gotten over “Pink Angels” simply for the way in...
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Gordon Moore in Conversation: GROUND
No one would have, even to this day, conceived of the question: “Is drawing dead?” That would never ever occur to someone. So the question then became: What is it that happens when we go from drawing...
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Gordon Moore in Conversation: PHOTOGRAPHY & DRAWING
After a while it became very obvious that not only was there a great deal of potential there for drawing, there was a great deal of potential there for painting. And that’s really the simple way in...
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Gordon Moore in Conversation: PROCESS
Process is very important, but process alone can often end up being too much of a “period piece novelty.” And I wanted to avoid that which was easy for me to do because I‘m not a process artist. I had...
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Gordon Moore in Conversation: ENIGMA
The more art I see—and I think in 41 years in the art environment in New York I have seen quite a bit of art—enigma is that aspect of an artist’s work that holds me the longest and the thing that...
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Conversation: Joan Waltemath with Gordon Moore
“…[M]y work has always been concerned with a physical relationship with the body and how the body negotiates the world and receives a painting – through movement,” Joan Waltemath said in conversation...
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